Andie MacDowell looks agelessly beautiful at 61 as she steps out shopping in Los Angeles
She became a film star in the 1980s.
And Andie MacDowell still radiates Hollywood glamour all these years later, as she proved when she was glimpsed in Los Angeles this Saturday.
The 61-year-old Groundhog Day star looked agelessly beautiful as she carried a couple of bulging shopping bags up the sidewalk.
Hello, gorgeous: Andie MacDowell still radiates Hollywood glamour all these years later, as she proved when she was glimpsed in Los Angeles this Saturday
Andie buttoned her trim figure into a walnut brown coat, slipping into a pair of flared jeans and gleaming black leather boots.
She added an extra bit of flair to the ensemble with a multicolored scarf, a pair of earrings and a black leather handbag
Her 25-year-old daughter Margaret Qualley has now followed her footsteps into the acting profession and drawn plaudits of her own.
On the move: The 61-year-old Groundhog Day star looked agelessly beautiful as she carried a couple of bulging shopping bags up the sidewalk
Margaret was a scene-stealing presence as Manson Family member Pussycat in last year’s Quentin Tarantino smash Once Upon A Time In Hollywood.
She also got an Emmy nod for her Fosse/Verdon role as the Broadway hoofer and choreographer Ann Reinking.
Andie told the Guardian that when she found out Margaret got an Emmy nomination ‘I was having a hard time driving, I was so excited. I’m trying to figure out where I’m going, but I’m crying; I was really having to focus.’
Sleek and chic: Andie buttoned her trim figure into a walnut brown coat, slipping into a pair of flared jeans and gleaming black leather boots
Ann, who was Bob Fosse’s mistress during part of his marriage to his muse Gwen Verdon, became instrumental in keeping his legacy alive after his death.
The current revival of Chicago, the second-longest-running Broadway show ever, originally starred Ann and was choreographed by her ‘in the style of Bob Fosse.’
Bob had directed and choreographed the original 1970s production of Chicago, as well as co-writing the book with its lyricist Fred Ebb.